What is this generations Nirvana, Limp Bizkit, Tupac, or Rage against the machine?
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Nobody tell this guy about mps3
None of that went away. Music discovery is easier than ever. Sharing music is a link and you're done. Either you've forgotten or are too young to remember the same artists played over and over again.
However you got here, your understanding of the music industry pre internet is rose tinted at best.
Do not cite the Deep Magic to me, Witch! I was there when MP3s were new. If it wasn't for a HD crash in 2003, I would still have MP3s from the 90s.
Plus, I was agreeing with you. WTF?
I'm not talking about sharing in particular, I'm talking about friction involved in discovery. You have to know someone to share the link, even today. So someone is out there spending 10 hours a day listening to random stuff on YT just to get something to share, not waiting around for the algorithm to give them music.
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I feel global political oppression or global wars usually produce great music but Macklemore might be the peak.
Nothing against him, some of his songs are good, but I expected real rage inducing stuff with everything going on. Or is this just the state of music as a whole?
Good protest music is coming out now.
https://www.youtube.com/watch?v=oZYB5v69n7w
https://www.youtube.com/watch?v=HpNDaMc02Eg
https://www.youtube.com/watch?v=BlIREcAu0PI
More mainstream artists like Macklemore, Bob Vylan, Kneecap are also out there fighting the good fight.
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I feel global political oppression or global wars usually produce great music but Macklemore might be the peak.
Nothing against him, some of his songs are good, but I expected real rage inducing stuff with everything going on. Or is this just the state of music as a whole?
Run the Jewels
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The algorithm won't boost anything trying to rage against the machine. Gotta make generic bullshit to get clicks. Only way to make money these days is to get clicks
It doesn't if you don't use services and algorithyms.. But damn crap like Spotify is popular. I would never, but it's like they hand it out when you turn 5 and say this is the default!
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Lolwut.
Artists like Bob Vylan, Lambrini Girls, Narcissist Cookbook, Cheap Perfume, The Oozes, Problem Patterns and even Lil Darkie and many more are ones I'd never have found without Spotify suggestions. That and discovering some classics like Anti-Flag, Bad Religion, Dead Kennedys, Against Me!, Crass, ZSK would never have happened without algo suggestions.
Generic bullshit doesn't even get clicks, the most outraging things get clicks, protest songs and politically charged shit does, just like the above, it just happens to be leftist music. Also check out Refused.
It's crazy we live in a time where there is music that isn't some poetic wishy washy love song top 40 studio bullshit which is all you would've known about before, but there's music that actually references material current events that happen, and then there's old classics that are so much easier to find thanks to discoverability via streaming.
There's obviously a problem with the inherent wealth transfer where both indie musicians and listeners pay Spotify, and now they want to cut out the middleman (the musician) entirely, but we absolutely must not go back to monoculture offline bs mandated by some fat cat studio exec Epstein list member looking ass.
Edit: I posted in another comment, but if anyone is interested in leftist, political, anti-capitalist and progressive music more generally I maintain a playlist here and I'd love suggestions: https://open.spotify.com/playlist/5rYZABdJf5H8XmliZ9ZTIW?pi=KIskSDh8T--mY
I am pretty old and I barely knew the top 40 wishy washy back then... If you are interested in different it was there, streaming helps some, and true a lot is at your finger tips, but most people will still drop into a top 40.
Spotify doesn't even have much of the music I listen to, I find it mostly useless so there is that.
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I'm pretty sure none of those are particularly "raging" against any "oppression", they were just popular, at least in Nirvana's case, in which case I guess Lil Peep would be comparable in popularity, impact and the immediate drama surrounding his suicide.
Rage against the Machine are very explicitly leftist. Like pretty much every song.
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Rage against the Machine are very explicitly leftist. Like pretty much every song.
When did their music get so political?
/s
It is something I've seen asked.
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When did their music get so political?
/s
It is something I've seen asked.
Most people don't pay attention to lyrics at all, and don't have the literacy skills to try to understand them.
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I feel global political oppression or global wars usually produce great music but Macklemore might be the peak.
Nothing against him, some of his songs are good, but I expected real rage inducing stuff with everything going on. Or is this just the state of music as a whole?
I feel like we need to define 'this generation'. Are we talking young people, currently popular artists?
Because I'm at the age where you realize that you're not that young anymore xDApart from that I'd like to mention Doechii. Some of her songs are about black trauma and reflection on her live
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I feel global political oppression or global wars usually produce great music but Macklemore might be the peak.
Nothing against him, some of his songs are good, but I expected real rage inducing stuff with everything going on. Or is this just the state of music as a whole?
It's king gizzard y'all sleeping
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Reading all of this and not seeing Visgra Boys or Mannequin Pussy is weird. Shout out to Lamborghini Girls too.
I'm 40 so idk what the kids like.
I have never even read those names before, and I think this illustrates the issue.
Protest songs used to reach world wide top charts because that's what people bought.
This was ruined by commercialization, so that charts now only show what labels want to sell.
People who actually choose what music to consume will scatter out into online bubbles that are completely detached from the mainstream and public view.This makes it almost impossible to reach as big an audience as done by RATM and others did in previous decades.
Perhaps young people ought to do protest TikToks instead of protest songs.
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You're exactly right.
WTF algorithm was there to serve us on demand copying mix and demo tapes? We had to touch physical media to get the songs. It took effort, sometimes $5 in gas money, a stack of blank tapes at home, and working two-deck stereo.
Not just for Rage-type alt music and punk, but the entire early hip-hop and rap scenes were almost exclusively bootlegged and home-made.
This isn't about "kids today have it so easy" - this is about good songs overcoming massive headwinds to get popular and simply heard. Music discovery was word of mouth, rumors, and who had what on hand. The thrill of the hunt got you amazing results.
Right now there's probably someone making killer music and posting to YT or peertube with like 3 views because everyone just accepts the algo slop and no one looks for the gems.
Right now thereās probably someone making killer music and posting to YT or peertube with like 3 views because everyone just accepts the algo slop and no one looks for the gems
Respectfully, i think this is the wrong conclusion. There are more sophisticated listeners today than there have ever been and sub-genre communities are great at spotting new gems. But while the number of listeners grew linearly, the number of bands has grown exponentially, making discoverability very difficult to achieve. That's not anyone's fault unless you consider musicians are at fault for creating so many good bands.
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You're exactly right.
WTF algorithm was there to serve us on demand copying mix and demo tapes? We had to touch physical media to get the songs. It took effort, sometimes $5 in gas money, a stack of blank tapes at home, and working two-deck stereo.
Not just for Rage-type alt music and punk, but the entire early hip-hop and rap scenes were almost exclusively bootlegged and home-made.
This isn't about "kids today have it so easy" - this is about good songs overcoming massive headwinds to get popular and simply heard. Music discovery was word of mouth, rumors, and who had what on hand. The thrill of the hunt got you amazing results.
Right now there's probably someone making killer music and posting to YT or peertube with like 3 views because everyone just accepts the algo slop and no one looks for the gems.
Right now there's probably someone making killer music and posting to YT or peertube with like 3 views because everyone just accepts the algo slop and no one looks for the gems.
Oh hey look, it's me!
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I feel global political oppression or global wars usually produce great music but Macklemore might be the peak.
Nothing against him, some of his songs are good, but I expected real rage inducing stuff with everything going on. Or is this just the state of music as a whole?
Grandson has some pretty good ones
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I feel global political oppression or global wars usually produce great music but Macklemore might be the peak.
Nothing against him, some of his songs are good, but I expected real rage inducing stuff with everything going on. Or is this just the state of music as a whole?
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Lolwut.
Artists like Bob Vylan, Lambrini Girls, Narcissist Cookbook, Cheap Perfume, The Oozes, Problem Patterns and even Lil Darkie and many more are ones I'd never have found without Spotify suggestions. That and discovering some classics like Anti-Flag, Bad Religion, Dead Kennedys, Against Me!, Crass, ZSK would never have happened without algo suggestions.
Generic bullshit doesn't even get clicks, the most outraging things get clicks, protest songs and politically charged shit does, just like the above, it just happens to be leftist music. Also check out Refused.
It's crazy we live in a time where there is music that isn't some poetic wishy washy love song top 40 studio bullshit which is all you would've known about before, but there's music that actually references material current events that happen, and then there's old classics that are so much easier to find thanks to discoverability via streaming.
There's obviously a problem with the inherent wealth transfer where both indie musicians and listeners pay Spotify, and now they want to cut out the middleman (the musician) entirely, but we absolutely must not go back to monoculture offline bs mandated by some fat cat studio exec Epstein list member looking ass.
Edit: I posted in another comment, but if anyone is interested in leftist, political, anti-capitalist and progressive music more generally I maintain a playlist here and I'd love suggestions: https://open.spotify.com/playlist/5rYZABdJf5H8XmliZ9ZTIW?pi=KIskSDh8T--mY
wrote last edited by [email protected]top 40 studio bullshit which is all you wouldāve known about before
While I agree with you overall, this just isn't true.
We had university radio which would play whatever the DJ was into, because it wasn't programmed.
We had local record stores, which while stocked a lot of top 40, would also bring in albums from small and indie bands that would never get played on radio. They would play it in the store, and have listening stations with headphones so you could listen to an album before you bought it, because you would not have heard it on the radio.
We had clubs that would book bands from everywhere. The club I hung out at had a band every night of the week, and no matter when you went, you would hear someone new.
The music was out there. You just had to get your ass out of the house to find it.
Edit: Also, top 40 stations played what was selling. They were not the problem, it was the stations that were not top 40 that were playing the pablum for the masses, and when it would sell, then it would appear on a top 40 station. By definition, a top 40 station played the 40 biggest selling singles of the previous week. They didn't pick what was sold.
I often heard great bands show up in top 40 because they somehow managed to break through to the masses. I remember when Pink Floyd released an album in the 90s, and the first single on the album got played on the top 40 station because it was selling. This being a time when groups like Ace of Bass, Salt-n-Pepa and Boyz II Men were popular and what a lot of people were listening to. Right there nestled in the hip-hop and dance music was Pink Floyd. Again, because it was selling.
Edit 2: I picked Pink Floyd because it stood out. At that time, in the 90s, it was not a band that young people listened to much of unless they were really into prog rock, classic rock or blazed all the time.
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Hell yeah! The whole "For the People" album just released is fantastic and just what op is looking for I bet. I was just at a show with them, Bad Religion, and the Mainliners, all three kicked ass
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It's king gizzard y'all sleeping
wrote last edited by [email protected]They're basically the Pink Floyd of our generation. Too bad they'll never have the same reach as PF or older bands due to the heavy current cultural fragmentation.
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I feel global political oppression or global wars usually produce great music but Macklemore might be the peak.
Nothing against him, some of his songs are good, but I expected real rage inducing stuff with everything going on. Or is this just the state of music as a whole?
wrote last edited by [email protected]They're not so prolific or relevant now but I feel Rise Against deserves a mention. I did my senior essay on their work in high school and honestly it changed a lot of my political opinions doing research/listening for that.
I almost forgot, rise against and Tom Morello did this song live together: https://www.youtube.com/watch?v=g5hLetyUToI
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I feel global political oppression or global wars usually produce great music but Macklemore might be the peak.
Nothing against him, some of his songs are good, but I expected real rage inducing stuff with everything going on. Or is this just the state of music as a whole?
wrote last edited by [email protected]Billie Eillish seems like the biggest star with anti establishment messaging in their music right now
Maybe some rappers, i don't listen to rap tho
