The kid became Ronald McDonald...
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I played that game with my best friend and we hated every single second of it. To me, this is the game version of GoT season 8.
I still find it incredible that Druckmann stuck to his guns and copy pasted this terribly executed storyline into the second season of the show. Idiot learned nothing. I'm glad I decided to skip the second season and just enjoy the first season as a stand alone. Pedro Pascal and Bella Ramsey did a great job as Joel and Ellie, but I sincerely doubt that even they could save the used toilet paper that is the script for Last of Us 2.
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I found Watchdogs 2 weird in this regard. You steal money from random people, who often struggle themselves, steal cars like nothing, murder a suburb’s worth of people, and still you’re “the good guys”?
Trevor in GTA5 was notable for being the only protagonist in those sort of games who remained in character no matter what you did during gameplay.
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Strong Last of Us 2 vibes.
That game had such an interesting setup and completely fucking fumbled every single second.
The idea of a split story arc where two hurt people are hunting one another for revenge and how it devastates the both of them in the end is so cool, but then it's written with the emotional intelligence of a five year old and completely fucking missing the concept of subtlety and earned pay offs. Everything is forced, everything is overly mean spirited to the point where you just kinds hate everybody and roots for no one. You're literally forced as the player to torture and kill several people and animals throughout the game.
And when you finally get to the climax there's a lame as fuck "revenge is bad mkay" message tagged on to the end. It rings hollow and it isn't earned. Such an immature script trying to tackle such an interesting concept.
It really shows you that there are no bad ideas, only bad execution.
"You should feel bad for utilizing these gameplay mechanics we designed the game around. You monster!"
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This post did not contain any content.wrote on last edited by [email protected]
This is because the villain has slain 69,421 people. Killing him would give the hero the same bodycount, and thus make them exactly the same.
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I get the vague impression that this is meant to subtly influence western society into believing that the masses aren’t truly people, that only the ones steering our collective wheels are actually human. Green arrow basically said as much for like… 5 seasons. Then it got weirder.
By story logic, the henchmen really weren't "true people", but metaphors for environment difficulties. For example, a young adult watching superhero comics would think of homeworks, social media negativities, etc.
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Nigel powers: look at you, you don't even have a name tag! You don't stand a chance. Put your guns down. That's right, put them down on the floor.
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"You should feel bad for utilizing these gameplay mechanics we designed the game around. You monster!"
wrote on last edited by [email protected]There is a good version of that.
All you had to do was put the controller down and walk away.
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It always pisses me off when someone defending their life, or the lives of others, in a show is somehow a monster for stopping the threat. (Or it is somehow 'honorable' to not kill someone actively murdering others.)
Fuck no. Stop the murderer, rapist, or terrorist using as much force as is necessary. Little Timmy will be so much better off with parents who are still alive, Susan will be happy her husband wasn't murdered, etc etc.
But with the state monopoly on violence this becomes anti social thinking.
Only the state can do violence, and it must not be seen to be accountable to the people, so it cannot echo our aggregate morality.
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Could you imagine?
“For the crimes of economy-scale larceny, murder, environmental collapse, bribery, tax evasion, and, uhh, sexual battery of a pack of golden retrievers, how do you plea?”
“C’mon, I’m just a little guy!”
“D’aww”
I'm not an expert, but I'm like five-nines certain a guillotine does not make a "D'aww" sound when activated.
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This is because the villain has slain 69,421 people. Killing him would give the hero the same bodycount, and thus make them exactly the same.
You're killing me.
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Media targeted at a large audience tends to dumb moral and philosophical conundrums down to the simplest possible gesture instead of taking the ideas seriously.
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Never played that game, what is the context?
Revenge bad
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Batman: "I would never take the life of even the most evil of villains" Breaks the neck of a petty thief Snaps the femur of a low level Mafia grunt
Ah, the usual "I saw that scene from Snyder's BatmanVSuperman so I feel I can authoritatively speak to the entire character"
He has gone through probably hundreds of writers at this point, all with their own interpretations. But generally, when they stick to the "I hate killing and guns" type, he's not breaking mooks over his knee Bane style. It's not universal, and some of the writing is just bad. But that doesn't define the character anywhere except the minds of people who just want something to shit on.
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Batman: "I would never take the life of even the most evil of villains" Breaks the neck of a petty thief Snaps the femur of a low level Mafia grunt
Hands the Joker unscathed to the police only for him to escape 10 minutes later
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I played that game with my best friend and we hated every single second of it. To me, this is the game version of GoT season 8.
I still find it incredible that Druckmann stuck to his guns and copy pasted this terribly executed storyline into the second season of the show. Idiot learned nothing. I'm glad I decided to skip the second season and just enjoy the first season as a stand alone. Pedro Pascal and Bella Ramsey did a great job as Joel and Ellie, but I sincerely doubt that even they could save the used toilet paper that is the script for Last of Us 2.
wrote on last edited by [email protected]Same. I was looking forward to it so much, loved the first one, but this ruined my mood for weeks during the already shitty covid & lockdown period. And not in a “sad story” way, but in a “I waited years and I got disappointed” way.
Now the negative reaction of general audience to the second season of the show demonstrates how the story just sucks regardless of the medium, but gamers were gaslighted into thinking that only transphobe incels hated the game. Well, I guess not.
I loved the gameplay and the graphics, but the story is just badly written and utter shit. My wife loves to watch me play, but was scratching her head in the final hours of this game, trying to make sense of this mess.
And this would be fine, art is subjective, they took a risk, it didn’t work out - but if you dare point this out, you get branded a hater/bigot/etc and your opinion is discredited. Well fuck them, I paid full price for this game on day 1, and I didn’t like it. My opinion is valid, so I’m going to repeat it as many times as I want to.
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because they want us to kill each other, the low ranking riffraff and feel nothing over that, but not the big badd bbillionaires and friends
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Strong Last of Us 2 vibes.
That game had such an interesting setup and completely fucking fumbled every single second.
The idea of a split story arc where two hurt people are hunting one another for revenge and how it devastates the both of them in the end is so cool, but then it's written with the emotional intelligence of a five year old and completely fucking missing the concept of subtlety and earned pay offs. Everything is forced, everything is overly mean spirited to the point where you just kinds hate everybody and roots for no one. You're literally forced as the player to torture and kill several people and animals throughout the game.
And when you finally get to the climax there's a lame as fuck "revenge is bad mkay" message tagged on to the end. It rings hollow and it isn't earned. Such an immature script trying to tackle such an interesting concept.
It really shows you that there are no bad ideas, only bad execution.
Legacy of Kain: Defiance handled that concept much better.
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Hands the Joker unscathed to the police only for him to escape 10 minutes later
Puts the Joker into an asylum that does nothing to care for its patients' mental health and is trivially easy to escape from despite the fact that, as a well-connected billionaire, he could easily lobby to have it replaced with a more effective facility.
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You're killing me.
wrote on last edited by [email protected]69,421.5
Edit: Please update when you're fully dead, OP, so I can finalize the new count.
